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Account Options Logga in. Bengali movies. Pather Panchali. Apur Sansar. By the time Apur Sansar was released, Satyajit Ray had directed not only the first two Apu films but also the masterpiece The Music Room, and was well on his way to becoming a legend. Apu is now in his early twenties, out of college, and hoping to live as a writer. Alongside his professional ambitions, the film charts his romantic awakening, which occurs as the result of a most unlikely turn of events, and his eventual, fraught fatherhood.

Cosmic Sex. One night eighteen year old Kripa has a fight with his father over his stepmother. There is an accident. His father dies. He has murdered his father. Scared, he runs away from home. The night throws up characters and encounters for Kripa. Devi the street walker, Jonaki her transgender pimp… Kripa is entrapped in the web of love, sex and jealousy. He murders again. Jonaki dies. Kripa runs on… At dawn Kripa sits by the banks of the river Ganges. The serene river soothes his frayed nerves.

A woman emerges out of the water. There is no end to this night. She is his dead mother come alive. He follows her. She takes him into her house. She adopts him as her son. She gives him a new life, another birth. She teaches him to travel inwards into himself using his sexual energy…No one bothers him here… Kripa journeys on…. Asha Jaoar Majhe. They are married to a cycle of work and domestic routine, and long stretches of waiting in the silence of an empty house.

They share each other's solitude in pursuit of a distant dream that visits them briefly every morning. Incorporating poignant political undertones, director Aditya Vikram Sengupta creates a stylistically beautiful film that depicts the challenges of sustaining love in a fast transitioning world via a simultaneous sensation of breathlessness and space. A young newly married couple Rimi and Bikram are living happily. One day the girl's paternal uncle dies and leaves behind an old traditional house in the northern part of the city of Kolkata, India.

Though hesitant about how to maintain such a big property, they shift to their new residence. But they need to rent out a portion to maintain the property. The right kind of tenant is difficult to find. But finally one day Tiasha in her mid-thirties who works in an NGO comes along.

The three gel well and Tiasha Rituparna Sengupta moves in as the new tenant. Life is good as a nice friendship develops between the three. But then the things take an ugly turn finally reaching a spine chilling climax. It is a piece of social document on patriarchy and tries to capture the changing face of morality, the degeneration of values, the increasing pollution of the spoken language and the changing social fabric of Bengal through three stories.

Spread over a hundred years, the three stories are structured in the manner of the classical Three Act Play with each act read story exploring one facet of an obsessive relationship outside the purview of marriage. This period piece is the story of an 8-year-old boy's emotional attachment and obsession with a newly married girl. The film opens in Calcutta and then moves to rural Bengal. It is an ambitious single room drama about two men - the lover and the husband - of a woman who has ended her life the evening before.

Through the dialogue between the two characters we see a third emerge and discover the frailties of each relationship and what role each man had in the woman's suicide. This Roald Dahl-esque story with a series of twists and turns looks into the darkness that looms beneath the surface of human beings and how manipulative human relationships have become. Aparajito picks up where the first film leaves off, with Apu and his family having moved away from the country to live in the bustling holy city of Varanasi then known as Benares.

As Apu progresses from wide-eyed child to intellectually curious teenager, eventually studying in Kolkata, we witness his academic and moral education, as well as the growing complexity of his relationship with his mother. This tenderly expressive, often heart-wrenching film, which won three top prizes at the Venice Film Festival, including the Golden Lion, not only extends but also spiritually deepens the tale of Apu.

Jadunath s grandchildren, Manmath and Nanda are poles apart with Manmath s waywardness, despite Jadunath s warning being covered up by the more docile and conscientious Nanda. An intriguing situation erupts when an intruder enters their lives.

The family is very protective about an heirloom, a rare ruby, which is also their ancestral totem. Fearing that the same might have been stolen, the family foils the robbery but the thief is nowhere to be found. Much later, Nanda realizes that he has taken refuge in her wardrobe.

The compassionate Nanda gives this intruder, whose name is Divakar, a chance to change the course of his life.

She introduces him to her grandfather as a young man looking for work and the grateful Divakar takes up the job that Jadunath offers him. Manmath who is slowly sliding towards a life of loose morals, is perpetually in debt and asks Diwakar to fudge the accounts and give him a loan from Jadunath s funds.

This leads to a confrontation between him and Nanda. The respect and love that Nanda and Jadunath shower on Diwakar changes him forever and in the process, he falls in love with Nanda In the meantime, Manmath has turned desperate and starts stealing from his own family. Who would Nanda support? A reformed criminal who is passionately in love with her or her only brother who has managed to survive by taking up rather dubious paths of action.

The Bong Connection. The film is based on the lives of Bengali's across the world, especially on those settled abroad. It attempts to delineate the pain and dilemma of Bengali's estranged from their places of origin.

It seeks to explore sensitive souls singing to the tunes of Tagore. A teenaged boy stumbled upon pornography and soon becomes addicted to watching them. While struggling to differentiate between the real world and fantasy, the young boy finds out shocking details about his parents.

Will he be able to deal with his crisis and his addiction to pornography? Kaya: The Mystery Unfolds. As Ranjan Mitra, a filmmaker, and his team set out to look for shoot locations for his next, they find themselves in a rather remote locations.

Little do they know that an unforeseen and mysterious presence looms over them. Will they be able to escape the threat that awaits them? The Music Room. With The Music Room Jalsaghar , Satyajit Ray brilliantly evokes the crumbling opulence of the world of a fallen aristocrat the beloved actor Chhabi Biswas desperately clinging to a fading way of life. His greatest joy is the music room in which he has hosted lavish concerts over the years—now a shadow of its former vivid self.

Alifa and her family is rendered homeless as the Brahmaputra river gets flooded and destroys their farming lands. In the hope of finding work in the city, they migrate to Guwahati and struggle to earn a living. The film is about the loss of home and the discrimination faced by the Bengali Muslims in Assam. Kkoli: A Journey of Love.

Both of them are the best of friends. Shankar even helps them financially and Kkoli starts going to school. By the time she finishes school, she realizes Shankar is more than a friend to her. However how do the villagers react? What do they have to say about this blossoming friendship turning in to love between the couple? Will the couple be able to cross all hurdles? An over-ambitious Tamosa has no qualms when it comes to achieving greater heights in her career, which leads to a conflict between her and another woman.

But is Tamosa prepared for its consequences? After dreaming of a man dressed like an Oscar, Ratul decides to direct an Oscar-nominated movie. However, chaos and fun ensues when his entire community, the Achinpore Rajwadis, join forces with him. Join Ratul on this hilarious rollercoaster ride. Kintu Galpo Noy. Shikha and Deep meet at the Students Health Home while dealing with their respective illnesses and form a bond that becomes very close to their hearts.

Cast in India. Iconic and ubiquitous, thousands of manhole covers dot the streets of New York City. Enlivening the everyday objects around us, this short documentary is a glimpse of the working lives of the men behind the manhole covers in New York City.

Dhallywood Stories. Welcome to Dhallywood, where the characters of its film industry move millions of Bangladeshis to cry and to dance. A chorus story about actors and filmmakers in one of the most impoverished nations of the world, where a young and thriving population struggles to fulfill their dreams.

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